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Resultaat 1 - 13 (van 13)
Dominic Smith The electric hotel
Een bejaarde regisseur van zwijgende films verhaalt aan een jonge filmhistoricus zijn leven in de filmindustrie in het algemeen en de teloorgang van zijn filmisch meesterwerk in het bijzonder.
Fictie | Psychologische roman
Engels | 449 pagina's | Allen&Unwin, London | 2019
Gedrukt boek
Spaces of longing and belonging
territoriality, ideology and creative identity in literature and film
Non-fictie
Engels | 287 pagina's | Brill Rodopi, Leiden | 2019
Gedrukt boek
Turn to film
film in the business school
Non-fictie
Engels | 258 pagina's | Brill Sense, Leiden | 2019
Gedrukt boek
A companion to Soviet children's literature and film
Non-fictie
Engels | 507 pagina's | Brill, Leiden | 2019
Gedrukt boek
Anneke Schat Inspirerende filmmomenten
edelsmeedkunst & schilderingen; modern jewellery & paintings
Non-fictie
Nederlands | Engels | 220 pagina's | Museum Jan van der Togt, Amstelveen | 2019
Gedrukt boek
Anne Gillain Totally Truffaut
23 films for understanding the man and the filmmaker
Engels | 310 pagina's | Oxford University Press, New York, NY | 2021
Gedrukt boek
Décio Torres Cruz The cinematic novel and postmodern pop fiction
the case of Manuel Puig
Non-fictie
Engels | 325 pagina's | John Benjamins Publishing Company, Amsterdam | 2019
Gedrukt boek
Jacob Leigh The late films of Claude Chabrol
genre, visual expressionism and narrational ambiguity
Engels | 201 pagina's | Bloomsbury Academic, London, New York | 2019
Gedrukt boek
The structures of the film experience by Jean-Pierre Meunier
historical assessments and phenomenological expansions
Non-fictie
Engels | 352 pagina's | Amsterdam University Press, Amsterdam | 2019
Gedrukt boek
Steven Cohan Hollywood by Hollywood
the backstudio picture and the mystique of making movies
Engels | 270 pagina's | Oxford University Press, New York, NY | 2019
Gedrukt boek
Giovanna Fossati From grain to pixel
the archival life of film in transition
Film is in a state of rapid change; analog film is replaced by digital film. Research has been undertaken into the possibilities for the digital preservation and restoration of films. The author is the first to try to bring together film scholars, archivists and laboratory technicians in this process. Film archives and laboratories are struggling with such new questions and with questions concerning their own role. For example, if you are restoring a film, may you update it using your own insights...
Non-fictie
Engels | 320 pagina's | Amsterdam University Press, Amsterdam | 2009
Gedrukt boek
Sarah Dellmann Images of Dutchness
popular visual culture, early cinema and the emergence of a national cliché, 1800-1914
Non-fictie
Engels | 421 pagina's | Amsterdam University Press, Amsterdam | 2018
Gedrukt boek