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Jeffrey Weiss The popular culture of modern art
Picasso, Duchamp, and avant-gardism
Met lit. opg. - Met reg. By analyzing art, criticism, and popular culture of the first two decades of the 20th century, the author shows that the elements of parody and irony that occurred throughout the avant-garde movement greatly influenced public perception - and miscomprehension - of new art.
Engels | 331 pagina's | Yale University Press, New Haven [etc.] | 1994
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William Innes Homer Alfred Stieglitz and the American avant-garde
Engels | 335 pagina's | Secker and Warburg, London | 1977
Gedrukt boek
A cultural history of the avant-garde in the Nordic countries since 1975
Non-fictie
Engels | 1043 pagina's | Brill, Leiden | 2022
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The outlaw bible of American literature
Engels | 662 pagina's | Thunder's Mouth Press, New York | 2004
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Peter Selz Beyond the mainstream
essays on modern and contemporary art
Engels | 334 pagina's | Cambridge University Press, Cambridge [etc.] | 1997
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Dickran Tashjian A boatload of madmen
surrealism and the American avant-garde, 1920-1950
Engels | 424 pagina's | Thames and Hudson, New York | 1995
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Henry M. Sayre The object of performance
the American avant-garde since 1970
Engels | 308 pagina's | University of Chicago Press, Chicago [etc.] | 1989
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Los Angeles County Museum of Art The avant-garde in Russia, 1910-1930
new perspectives; Los Angeles County Museum of Art, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C,
Engels | 288 pagina's | Los Angeles County Museum of Art, Los Angeles, Calif. | 1980
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Bill Martin Avant rock
experimental music from the Beatles to Björk
Engels | 269 pagina's | Open Court, Chicago [etc.] | 2002
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Raphael Sassower | Louis Cicotello The golden avant-garde
idolatry, commercialism, and art
A philosopher and an artist place the phenomenon of avant garde in different perspectives. They wonder how avant garde artists navigate the cultural, financial and technological challenges in past and present. They draw the conclusion that artists have become adept at manipulating the same forces that they seek to exaggerate and articulate in their work.
Engels | 147 pagina's | University Press of Virginia, Charlottesville [etc.] | 2000
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We rock so you don't have to
Profielen en kritieken over Nirvana, Radiohead en andere 'alternatieve' rockacts.
Engels | 263 pagina's | Incommunicado Press, San Diego, Ca. | 1999
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Imagining language
an anthology
Engels | 618 pagina's | The MIT Press, Cambridge, Mass., [etc.] | 1998
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Open University Art of the avant-gardes
Expressionism and the crisis of subjectivity /Jason Gaiger --Gender and the fauves : flirting with 'wild beasts' /Gill Perry --Orientalism, modernism and indigenous identity /Roger Benjamin --Bonnard and Matisse : expression and emotion /Charles Harrison --Approaches to Cubism /Jason Gaiger --Dusty mannequins : modern art and primitivism /Niru Ratnam --Cubist collage /Steve Edwards --Theidea of an abstract art /Paul Wood --'English' abstraction : Nicholson, Hepworth and Moore in the 1930s /Emma Barker...
Engels | 462 pagina's | Yale University Press, New Haven, CT | 2004
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Scott MacDonald Avant-garde film
motion studies
Engels | 199 pagina's | Cambridge University Press, Cambridge [etc.] | 1993
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The Ohio State University Breakthroughs
avant-garde artists in Europe and America, 1950-1990
Engels | 310 pagina's | Rizzoli, New York | 1991
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Russian avant-garde art and architecture
Engels | 96 pagina's | Academy Editions and Architectural Design, London | 1983
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Anna Gruetzner Robins Modern art in Britain, 1910-1914
Engels | 208 pagina's | Merrell Holberton, London | 1997
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Christopher Green The European avant-gardes
art in France and Western Europe, 1904-c 1945
Engels | 496 pagina's | Zwemmer, London | 1995
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Sport and the European Avant-Garde (1900-1945)
Non-fictie
Engels | 234 pagina's | Brill, Leiden | 2021
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